Monday, January 10, 2005

The Sea Inside (2004)

This month’s cinematic journey will depart from the Iberian Peninsula with a tale based on the real life of the Galician fisherman Ramón Sampedro, a quadriplegic man who claimed his own right to die. His story is told in “The Sea Inside”; produced by three countries (Spain, France and Italy) and directed by Alejandro Amenábar (Abre los Ojos, 1999; The Others, 2001).

It should be made clear that the main theme of the movie should not be interpreted as an apology for euthanasia. It presents the portrait of a man who longs for death, meanwhile living what could be interpreted as a bearable life. But “The Sea Inside” simply tries to show a person’s life, Ramón Sampredo’s life and nothing else. According to Ramón: “Living is a right, not an obligation”. Nonetheless; we, as spectators, struggle to accept his decision: Ramón Sampredo’s decision.

I must confess that upon viewing this art flick, I did not initially feel very impressed.ema.ise twist ending, his formula has changed for this But the impact of this picture is felt mostly after one leaves the cinema. When pondering the meaning of a life, one must inevitably come to terms with how differently everyone’s own experience can be. This idea is what adds complexity to the film’s non-complex structure. The visuals are at times simple, at times stunning; the dialogues are wonderful, if a bit conventional. The complexity of the individual human experience is what makes this film worth while.

Unlike Amenábar’s former projects, which all included a surprise twist ending; this movie focuses on characters and the emotional ties that bind them. Ramón’s life cannot be presented without the portrait of his family and friends and this film succeeds precisely on the strength of its acting. Two performances according to this moviegoer shine brightly in this picture, Javier Bardem (Before Night Falls, 2000) as Ramón and Mabel Rivera as Ramón’s sister in law. Presented in Spanish with subtitles, “The Sea Inside” was chosen as Spain’s entry in the Best Foreign Language Film category for the Academy Awards this year and it is already a nominee in the Golden Globes Awards for the same prize: it should not be missed!

4 comments:

DramaKing said...

Qué bonito te quedóoooooo!!! SUper bieeeeeeeeeennn!
Jijijijijiji.

Lástima que lo mutilaste con ese punto y coma al principio del último párrafo. Assshhh!

No has visto la de "La Mala Educación"? Esa se me hizo padre y tenía la ligera esperanza de que la pusiera la Madre España como su movie candidata a Mejor Movie Extranjera. Ni pex. Pero la sigo recomendando de todos modos.

Saludos Almodóvares.

-Germy

psesito said...

Aún no la veo, acá a Guachington, aún no llega. ¿Cómo ves? Se supone que el 14 de enero será el estreno :)

DramaKing said...

Pues haz cola desde ahorita! Jalou!!! Para que veas manito, ESA movie sí que está " Qué juerte, qué juerte!", hasta para "c'est moi".

Es más, jajaja, le dije eso a mi mamá: "La de 'La mala educación' está super FUERTE! Hasta para mi!" y mi mamá de qué "Cómo que hasta para tí?". Y yo de que "Esteeeee... ummmm... nada".

Por andar de hablador, assshhhh! Jajajajaja.

-Germy

psesito said...

Yo acabo de ir a ver "Un long dimanche de fiançailles" (A very long engagement). Está buena, aunque la verdad, en ocasiones parece que estás viendo Amélie. Mismo director, misma actriz y uno que otro actor que salió en Amélie también sale en ésta.

Tengo que aceptar que hay escenas muy conmovedoras, y que la historia es buena; pero no me impresionó del todo. Lo que sí es un "highlight" es que sale mi adorada Jodie Foster y hablando un PERFECTO francés. ¿Qué tal?

En cuanto a que la película está fuerte hasta para tí, yo creo que tú mamá se sorprendió porque no te creyó. C'est ne pas vrai!